19_D04_H03_02 Camera Shakes in Unreal Engine5.6

Session 19 Summary: Camera Shake with Blueprints in Unreal Engine 5.6

🧰 Project Setup

• Downloaded camera settings add files for camerashakes.zip from Patreon.
• Extracted and placed files in:
• Maps/Main → module_7.umap
• Sequences/Main → module_7.asset
• Sequences → camera_rig_shots folder
• Opened camera_settings project in Unreal Engine 5.6 and loaded camera_rig_shots_root.

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🎬 Creating the Handheld Camera Shots

• Shot 5 (0050_01) was edited using two cameras:
• cu_tray (focused on male character)
• cu_zeva (focused on female character)
• Animated both cameras using manual transform keyframes from:
• 0–5s → camera panning movement on cu_tray
• 5–10s → close-in shot on cu_zeva

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🎥 Focus Target Setup

• Used Focus Tracker Actors:
• focus_tray moved to correct bone (tray_bone_1)
• Enabled continuous focus during camera animation

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🎞️ Creating and Applying Camera Shake

Available Camera shakes

1.       Composite Camera Shake Pattern

2.       Perlin Noise Camera Shake Pattern

3.       Sequence Camera Shake Pattern

4.       Wave Oscillator Camera Shake Pattern

• Created new Blueprint Class from CameraShakeBase:
• Named my_own_camera_shake
• Used Perlin Noise Shake Pattern
• Set duration = -1 for infinite shake
• Applied to cu_tray camera via the + Camera Shake track

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🌊 Adding Alternate Shake Types

• Duplicated my_own_camera_shake → my_own_camera_shake_2
• Changed to Wave Oscillator Shake Pattern
• Applied to cu_zeva camera with same infinite duration

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🔁 Using Predefined Shake Blueprints

• Used 5 pre-existing shakes:
• Handheld_Subtle
• Handheld_Mid
• Others recompiled and saved
• Replaced custom shakes with:
• Handheld_Subtle on cu_tray
• Handheld_Mid on cu_zeva
• Added Crane_Shake to Shot 0040_01 for crane movement realism

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📌 Key Learnings

• Camera Shake is added via Blueprint Classes.
• Blueprint exposes runtime properties like motion, focus, animations, etc.
• Shakes can simulate real-world handheld imperfections or camera rig wobble.

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📝 What’s Next

• Next session will cover Color Grading and LUTs (Look-Up Tables) in Unreal Engine 5.6.

 

18_D04_H03_01 Right way to use Camera Cranes in Unreal Engine

Session 18 Summary: Camera Crane Rig in Unreal Engine 5.6

🔧 Setup and Shot Context

• Opened the existing camera_settings project and loaded module_7.
• Continued working within camera_rig_shot_root sequence.
• Began editing Shot 0040_01—a cinematic crane shot moving from outside the house through the window to two seated characters.

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🏗️ Adding and Configuring the Camera Crane

• Added Camera Rig Crane from Cinematic → Camera Rig Crane.
• Named it rig_crane_4, placed into 08_camera_rigs folder.
• Duplicated wide_camera, named it cinecam_crane, and parented it to the crane rig.
• Reset camera’s transform (location and rotation) after parenting.

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🕹️ Understanding Crane Controls

• Pitch: Vertical tilt of the crane arm (animated from top-down angles).
• Yaw: Horizontal pan/rotation of the entire crane.
• Arm Length: Extends or retracts the crane’s boom to change the distance.
• Crane Yaw Control (height adjustment): Moves the crane rig vertically.

🔒 Enabled Lock Mount Pitch/Yaw to sync camera motion with crane tilt and rotation.

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🎬 Animating the Crane

• Inserted keyframes at 0s, 5s, and 10s for:
• Crane Pitch
• Crane Yaw
• Arm Length
• Yaw Control Location
• Created a 10-second animation where:
• Crane starts high and outside the window.
• Moves inward to focus on characters.
• Arm extends, camera tilts and pans inward gradually.

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🔭 Adding a Tracker for Look-at Focus

• Added a Helper Actor named crane_cam_tracker.
• Positioned between the two characters at table level.
• Enabled Look-at Tracking on cinecam_crane to always face the tracker.
• Ensured smooth tracking as the crane moved through the scene.

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🎚️ Camera Tweaks

• Adjusted focal length from 40mm to 20mm for wider framing.
• Fine-tuned final position of crane at 10s for better composition.
• Verified smooth movement, tracking, and actor framing.

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🗂️ Organizing & Finalizing

• Added rig_crane_4 and cinecam_crane to the crane folder inside sequencer.
• Enabled Camera Cuts at frame 0 to switch to the crane shot.
• Saved all sequences and nested them into the master sequence

 

17_D04_H02_02 All New Cine Cam RIg Rail in Unreal Engine 5.6 and using C...

Session 17 Summary: Cine Camera Rig Rail in UE 5.6

🚀 Setup

• Opened existing camera_settings project from previous session.

• Continued from camera_rig_shot_root sequence.

• Began editing third shot (shot_030_01) using Cine Camera Rig Rail (advanced version).

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🔧 Creating the Circular Camera Rig

• Added Cine Camera Rig Rail from Cinematic → Cine Camera Rig Rail.

• Switched to top orthographic view.

• Created a perfect 360° circular dolly path:

  • Measured 190 cm radius using middle mouse drag.

  • Placed 5 spline points in a circle using Alt + drag.

• Used spline tangent controls in Rails Plane Component to smooth out the curve.

• Ensured uniform speed using the Display Speed Heat Map (green = optimal speed).

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🎥 Attaching & Configuring the Camera

• Duplicated wide_camera, renamed to cine_cam_rig_3.

• Attached camera to rig_3 and reset its transform.

• Set focal length = 35mm (can later animate per spline).

• Enabled rig control of focal length, aperture, and focus (instead of camera).

• Placed both rig and camera into the sequence and camera folder.

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🔁 Controlling the Camera Movement

• Switched from manual movement to absolute spline position control:

  • Added keyframes at absolute position 1 (start) and 5 (end) over 10 seconds.

• Enabled “Use Point Orientation” so the camera rotates along the rail path.

• Rotated camera 90° so it always faces inward toward actor.

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🎛️ Using Drive Mode (Alternative)

• Enabled Drive Mode → Duration to auto-animate based on time.

• Demonstrated changing speed via duration or speed %.

• Later reverted to manual keyframing for full control.

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🎚️ Focal Length & Aperture Animation by Spline Point

• Adjusted focal length per spline:

  • Spline 0: 15mm (wide)

  • Spline 1–2: 30mm

  • Spline 3: 15mm

  • Spline 4: 50mm → revised to 30mm for smoother transition

• Adjusted aperture per spline to improve exposure:

  • Set all points to f/1.4 for brighter visuals.

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🎯 Focus Tracking with a Helper Actor

• Added "rig3_tracker" actor to guide camera focus during movement.

• Placed tracker at key locations (between characters, face, etc.) over time.

• Animated the tracker’s position and enabled it in camera’s Focus Tracking.

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✅ Final Composition Check

• Verified:

  • Smooth dolly movement

  • Dynamic focal length changes

  • Focus tracking accuracy

  • Proper brightness/exposure throughout shot

• Saved all changes and concluded third rig-based camera shot.

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🛠️ Key Features Demonstrated

• Cine Camera Rig Rail with multiple spline points.

• Spline-level focal length and aperture control.

• Drive Mode vs. Manual Animation.

• Tracker-based camera focus with smooth interpolation.

16_D04_H02_Simple Camera Rail Rig and Level Sequence with Shots in Unrea...

Session Summary: Using Camera Rig Rail in Unreal Engine 5.6

🧰 Project Setup

• Used the existing project from previous session: camera_settings.zip + metahumans.zip.

• Opened module_7 level and created a new sequence using “Add Level Sequence with Shots”.

• Named root sequence camera_rig_shot_root with 5 individual shots.

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🔧 Shot 010_01 – Straight Rail Shot

• Added Camera Rig Rail (legacy version) from Cinematic → Camera Rig Rail.

• Created rig_1 and aligned it horizontally in top view using two control points (vertices).

• Added a new camera cam_rig_1, made it a child of rig_1, and reset its location/rotation.

• Made the camera wide angle (20mm focal length).

• Animated Current Position on Rail from 0 to 1 over 10 seconds.

• Used Camera Cuts Track to activate cam_rig_1 for the shot.

• Rendered output shows smooth left-to-right camera movement across characters.

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🔧 Shot 020_01 – Curved Vertical Rail Shot

• Duplicated rig_1 to create rig_2, repositioned and bent it to form a curved rail.

• Added a new point by ALT + drag to shape the rail for elevation.

• Created new camera cam_rig_2, set it to 15mm focal length for a wider field of view.

• Attached the camera to rig_2 and animated movement from 0 → 1 in 10 seconds.

• Fine-tuned curve points and angles using top, right, and perspective views.

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🎯 Tracking and Focus

• Introduced a Helper Actor named rig2_tracker to control:

  • Look At Tracking: Enabled for cam_rig_2 to always face the tracker.

  • Focus Tracking: Set to track rig2_tracker for continuous focus during movement.

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🎬 Sequence Finalization

• Organized rig and camera actors into 08_camera_rigs folder.

• Added appropriate Camera Cuts in both shot sequences.

• Verified smooth transitions and framing in both rendered shots.

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✅ Key Learnings

• How to create nested sequences using Add Level Sequence with Shots.

• How to use Camera Rig Rail for linear and curved cinematic shots.

• How to animate rail movement using Current Position on Rail.

• How to control camera tracking and focus using a helper actor.

15_D04_H01_All About Sequencers in Unreal Engine 5.6

Unreal Engine Sequencer Basics (Session Summary)

🔹 Project Setup

• Download and extract camera_settings.zip and metahumans.zip from the provided link.

• Place the extracted MetaHumans folder inside the Content > int_vc directory of the camera_settings Unreal project.

• Open the project using Unreal Engine 5.6.

🔹 Introduction to Sequencer

• Sequencer is Unreal's timeline tool, similar to Adobe Premiere Pro or After Effects.

• Used to animate characters, cameras, and objects over time.

🔹 Level & Characters

• Open module_6 level which has 2 characters and 3 pre-placed cameras.

• Initially, characters may not be in a seated pose until you load the correct sequencer.

• Control Rig must be manually copied from working sequences to new sequences.

🔹 Creating a New Sequence

• Use Add Level Sequence from the +Cinematics button.

• Save it under Content > int_vc > sequences as my_first_sequence.

🔹 Fixing Pose Issues

• Copy the character tracks and control rigs from module_6 sequence to the new sequence.

• Rig compatibility issues may occur with older MetaHuman assets—manually apply compatible rigs.

🔹 Adding and Animating Cameras

• Use the Cinematic Viewport for better preview.

• Set animation frame rate to 24 FPS (film standard) and convert timeline to seconds view.

• Adjust focus distance manually to animate focus blur over time.

🔹 Camera Animation Steps

1. Wide Camera – Animate dolly-in movement from 0 to 4 seconds.

2. CU_Tray Camera – Side-to-front animation from 4 to 10 seconds.

3. CU_Zeva Camera – Rotating-in animation from 10 to 16 seconds.

4. Use local transform coordinates for better camera movement control.

🔹 Organizing Timeline

• Group all camera tracks into a new folder called "Cameras".

• Use Camera Cuts Track to switch between cameras at defined times (0s, 4s, 10s).

🔹 Rendering the Animation

• Use the Render Movie icon to export the final animation.

• Choose H.264 MP4 as the output format.

• Output will be saved under Saved > MovieRenders as my_first_sequence.mp4.

📝 Assignment

• Create a new sequence in any project.

• Add and animate three cameras with cuts.

• Render the output and share the video for review

Access our youtube in multi languages reels #unrealengine #cinematograp...

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   • Open any video.

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🧠 For Summarized Notes in Your Language

1. Install the "ChatGPT YouTube Summarizer" Chrome Extension

   • Search: ChatGPT YouTube summarizer in Chrome.

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💡 Example:

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14_D02_H02_02_Camera and Post Process Controls in Unreal Engine 5.6

Unreal Engine Workshop – Session 14 Summary

📌 Topic: Implementing Exposure Settings in Unreal Engine with Cine Cameras & Post Process Volume

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🎬 Project Setup

• Launched Camera Settings Project (v5.6).

• Loaded module_5.11 map and activated module_5 sequencer.

• Used 3 cameras: CU_Tray, CU_Zeva, and a wide camera.

• Hidden obstructing wall mesh to enable clean camera views.

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🔆 Camera View & Exposure

• Switched CU_Tray camera to Manual Exposure mode.

• Adjusted Aperture (f-stop) to control brightness and depth of field:

  • f/1.8 → Bright with shallow depth

  • f/11 → Darker with more depth

• Balanced exposure using:

  • Shutter Speed: Changed from 60 to 30

  • ISO: Boosted from 100 to 800 for brightness compensation

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📸 Creating Cameras with Different Depth of Field

• Duplicated cameras to create variants:

  • CU_Tray_with_DOF: Shallow depth (f/2, ISO 100, shutter 60)

  • CU_Tray: Deep focus (f/11, ISO 800, shutter 30)

• Similar adjustments made for CU_Zeva and CU_Zeva_with_DOF.

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🧪 Post Process Volume Setup

• Added and placed a Post Process Volume in the scene.

• Enabled:

  • Manual Exposure Metering Mode

  • Exposure Compensation to fine-tune global brightness (e.g., set to 6)

  • Shutter Speed, ISO, and F-stop overrides to match camera settings

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🌫️ Motion Blur Demonstration

• Enabled Motion Blur in Post Process Volume to simulate realistic human-eye perception:

  • Set Target FPS to 30

  • Observed motion blur effect during camera movement

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📁 Final Steps

• Saved all level changes.

• Confirmed exposure settings now work:

  • On Cine Cameras individually

  • Across the entire scene using Post Process Volume

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🎯 What’s Next

• In the upcoming session:

  • Explore Sequencer, Camera Rigs, and Dolly Tracks

  • Continue learning about camera tools in Unreal Engine